sister_raphael: (makingthings)
 I had a huge day today finishing off a gothic carved chest. It was half made but the legs needed to be added, and the little pieces above and below the arches, followed by paint. 

Pic to follow.

I actually started the day painting a display stand for my books and trinkets, and while the first coat was drying on that, I thought I could work on the gothic chest while I waited.

I still have lots to do. The lid needs to be put together and the tracery on the arches needs to ne touched up with paint, and the underneath painted, but I'm very pleased with it. The colour in the photo isn't quite right, but you can see the general vibe. I won't be able to add hinges due to the placement of the legs, but I'm planning a lift off lid. I'll also be using this with a cushion for seating, so it's not just storage.
sister_raphael: (underconstruction)


Embroidery of a pattern from the Holkham Bible will begin soon. The pattern was likely woven into the fabric but as I do not have the means to reproduce that, embroidered will do.

It's a bit stressful as the cote itself is finished and very nice and if I mess up the decoration, I ruin a rwally lovely garment. I'm very keen to make it though, as this type of thing fits my locale and time period for re-enactment as is under-represented in reproduction clothing.

And it's stylish. 
sister_raphael: (underconstruction)


It begins! 

I think possibly the hardest part of this project is going to be getting the old glass out of the wooden frame. It seems very securely glued, although I'm hoping that a hot hair drier will melt the glue enough to carefully lift the mirror out. It won't be an issue if the mirror breaks, as I'm not re-using it, although I'm hoping it doesn't because you never know when you want one for a craft project.

I've got a few other little odd jobs I need to do, so I may not start this straight away, but I'd like to take it the the Southern Realms Medieval Festival at the start of November. I should easily have it done by then, depending on the brass polishing also. 

sister_raphael: (tools)
Yesterday some brass discs arrived which I hope to polish up to a mirror finish and use to make a medieval mirror for my display.



I bought a couple as I wasn't to confident that I wasn't going to wreck them. I've got a few different polishing things, but if anyone has a recommendation for brass, I'd be keen to hear.

Most of my medieval mirrors are glass, as they extant ones are either glass or are painted in the manuscript with silver gilding or paint in the middle. A few are painted with gold gilding, which hints that they are most likely polished brass. People are often surprised to learn that the two types were both available at the same time. It's usual with technology for a new thing to supplant the old tech, but in the case of medieval mirrors, both types have a lot going for them in different ways. 

My challenge after polishing the mirror to a sufficiently high sheen will be to set it into a wooden frame of the right size. I had hopes of buying existing mirrors in wooden frames and matching the sizes, but this has proved to be a tad more optimistic on my part that I would have liked.
sister_raphael: (comeheresaythat)
I give you the rather breathtaking Van der Weyden's portrait of Isabella of Portugal, painted around 1500.



A young lady who is studying 15th century headgear in detail for her degree, especially the double horned headdress in 15th century England and has contacted me and asked for help. It's such a great subject and I'm always happy to chat medieval clothing and headwear with others who are equally enthused.

A lot of reconstructions take liberties with what we see in art and/or don't cite their sources. Sources are few at best, with Christine de Pizan being used although we can't see the headdress itself, just the white pinned veil around and over it. 

I believe there are no extant samples of this style of headwear and all we have to go on are a handful of paintings and manuscripts. Narrowing it down to an exact country will make it very difficult for you if one is hoping for info about the horned headdress, as we have three big issues.

1. They really weren't that popular that I can see. Hennins of the usual kind with one point were the preferred option, and even then, they were worn for such a very, very short time in the costuming timeline. The heart-shaped hennin shows up a little more frequently. Wills show next to none, if not none.

2. Most of the greatest painters, van Eyck, Van der Goes, Memling etc at that time were European, so they painted Europe. There are English church effigies and memorial brasses, but the number of them in England showing that exact style is pretty low. Off the top of my head, I can think of exactly zero, but it's early and I've not had coffee yet. 

3. A lot of costuming recreations are guessing like mad, because the original sources aren't terribly clear and could be one of several things. Creators often add a lot of extras to bling them up way more than anything I've seen. 
sister_raphael: (makingthings)
chalkboard with roses
I've needed extra noticeboards for when I'm doing educational displays at medieval themed events which aren't re-enactment events: book signings, shows, museum talks and festivals. Meanwhile, the noticeboards with the carved flowers have been sitting idly by since the carved flowers arrived, just waiting for me to get onto it.

The noticeboard I've already made with the other design has been hanging around the lounge reminding me how much I like it, so I've been feeling guilty about not doing the new ones. 

To be fair, a week or so ago I did stain about two-thirds of them and left them to dry, failing to come back and finish the rest, so it was about time I made an effort. 

Today I stained the rest of the flowers, the back pieces and the cross bars and since there was a warm breeze blowing, they dried within half an hour, so I glued all the pieces into place. 

I'm really happy with how they look.


sister_raphael: (makingthings)
I finally got around to fixing the red leather belt with the roses belt mounts. I'm still gutted that the new buckle was too small and that I needed to swap it out for a different one, but slightly less sad that I had a usable pewter buckle on another belt which I could take off and use. 



After reading up a bit more on purse hangers, I made the sad decision to swap the new belt hanger out for one with a different design, as it is a more common design among archaeological finds in the early 14th century.

I'm very happy with the results, though, so it was worth the time and effort. The silvery pewter fittings do look very nice on the red leather. 

sister_raphael: (supercute)


Today's project!

One of the little mirrors that arrived this week is now red! Well, medieval red, which is a slightly brown red. Happily Jo Sonia has a nice, appropriate colour, so instead of mixing one, I used it straight out of the tube. It's pretty close to paint made from iron oxide the traditional way, and it saved a ton of time. 

I was originally planning two coats of paint, but one seemed to give good coverage.

I gave it a coat of Renaissance Wax for protection, and that's another project I can cross off the current To Do List.

Though some mirrors are quite likely polished brass (painted gold in the centre) I do have another little red mirror from a 13th century French manuscript painted silver in the centre.

MS Ludvig XV 3, folio 78.


sister_raphael: (makingthings)


I've made a start on the roses noticeboards and am very happy with how they look. The colour of the stain perfectly matches the boards themselves which is a huge win! 

These aren't for re-enactment, but for Ye Olde Medieval Fayre themed events, so they certainly have the right vibe for that. I still have quite a few to stain yet, but as you can see, they're looking lovely!




sister_raphael: welldone (welldone)


I have recreated this powder to use in my MEDIEVAL BATH DISPLAY and have included a step by step guide to my approach, including my expectations and how it really worked out.

The prep:

There were a number of things to think about before I started.

- Where can I get the ingredients?
- Drying the ingredients or buying them pre-powdered or using them fresh?
- Air dry or oven dry the grown ingredients?
- How much of which ingredients should I use?
- Will it actually make any real difference?
- How long will it last?
- Do any of the plants have benefits associated with them which make them particularly useful?

What you need:

Ingredients
1 oz Rock Salt
1 oz Pepper
1 oz Mint

Kitchen things
Spoon
Small scales
Bowl for mixing
Mortar and pestle for powdering

Gathering the ingredients:

Rock Salt 1 ounce. This is easy to find and purchase and is very cheap. Rock salt can be bought from any supermarket or grocery shop. Pepper 1 ounce. This can be bought from most Asian or Indian supermarkets. Gilbertus doesn't specify what type of pepper to use, but long pepper was the commonly used one in the Middle Ages. Both long pepper and black pepper were used in Roman Britain, so I've chosen long pepper for this recipe. It is a sweeter pepper than black pepper.Mint 1 ounce. Fresh leaves or dried leaves? The recipe doesn't say, but I feel like dried leaves would powder down better than fresh ones, so I am using dried mint leaves from my own herb garden.


Step by step:


1. Weigh and measure out the ingredients. In this case, the exact amounts are given, so it's just about deciding how big a finished quantity you want to make and weighing out the same weight for each of the mint, salt and pepper.

2. Using the mortar and pestle, grind the ingredients to a powder. I did these one at a time.

3. Mix them together. No other steps are needed for this.


The results:

The taste really is interesting.

This was a journey of great discovery, where I discovered: Less is more of some things and I'm surprised at the one to one to one ratio.

I expected this to work because of the mint, and expected a minty taste, when in fact, the overriding taste was the sweet pepper, which did, in fact freshen the breath. The mint was barely noticable and while the salt was very... salty, it did provide an abrasive quality which would have worked on teeth.

Overall, this recipe did work. My mouth felt refreshed for an extended amount of time, although quite peppery. The salt taste faded reasonably quickly, and the mint likewise. The end result is a positive. It is palatable, and it works.The resultant powder smells a little peppery and a little minty.






sister_raphael: (ineedanap)


Some carved flowers arrived which I'm using to add to some noticeboards. The idea is that they go across the top and bottom like this:




I tried to add some extra details but when they were stained, they looked terrible, so back to the drawing board. My original idea was to add the extra detail with carving, which worked not at all because it needs to be small and the wood isn't the best for carving. I attempted to draw the detail with a pen before staining with teak and that looked awful. 



Potentially, I could use a paint pen in a slightly darker colour so it looks a bit more like the shadow of carved timber, especially when the stain darkens the whole thing afterwards.

Maybe use them as is? 

The plan is to make the boards look more of a medieval carved wooden panel vibe rather than a straight up sandwich board. Obviously, that's what they are, but they're to hold printed signs, so it's not a proper thing anyway. 
sister_raphael: (hmmm)


I re-read the original recipe for this and discovered that quantities and weights *were* given for this, so today, instead of spoonful ratio, I'm re-doing this with a weight ratio like I should have.

This will significantly change the quantities, especially since salt and mint vary differently with volume and weight. 

I predict the pepper will still be the ingredient that makes it work, but it will be less salty and more minty, which will be no bad thing! 
sister_raphael: (deardiary)


Some recipes for health and hygiene and just to make oneself smell nice from the Middle Ages made real! Those 5 at the front are for tooth and mouth care alone!

more info to add about them goes here


sister_raphael: (makingthings)


Some experimental archaeology at home today making and testing quantities of this recipe ( just mint, salt and pepper) and road testing it along the way. Many recipes are extremely tricky as quantities or ratios of stuffs required are not given, but fortunately, in this case, I had a guideline to work from.

It didn't work the way I expected it to but it did work!

I will be posting the entire process on my website in the next week.


sister_raphael: (underconstruction)


Another small WIP job finished! I really should stop putting jobs off and finish them!!

More to follow


sister_raphael: (makingthings)

I've mad esome new sign boards for Newcastle, but also for book signing events generally.

I bought the base chalkboard from Spotlight and raided the Bunnings wood supplies for thin strips of wood and Temu for carved decorative flowers and trimmed them to fit into the gaps top and bottom. After a quick stain and glue, I painted the insides of the chalkboard and now they're ready for a final overcoat before a top sealant to weatherproof them a bit.

The end result was a bit pricey, but it was a test one for a similar one for medieval use with carved roses, and it looks pretty eye-catching, so I'm very pleased with the result!

Hood fix

20 July 2025 12:09 pm
sister_raphael: (chocolate)

I bought a little hood for my nephew which was too small for him. Luckily, it fitted my niece perfectly!  It was lovely, except the daggues at the front were mismatched right in the centre! Right. In. The. Centre

What to do?

I didn't make it and didn't have offcuts... here's my fix!

Step 1. Trim the liripipe and sew it closed again.
Step 2. Trace around the design, and from the fabric offcut, cut a pattern to match the others!
Step 3. Pin and sew the new decoration in place.

It's not perfect, and I wish this wasn't right in the middle at the front, but it's acceptable. The daggues aren't especially well-shaped and after a wear or two may fray a bit by the looks of them, so when they do, I'll just trim them off altogether and add some groovy scalloped embroidery or something!


sister_raphael: (tools)


Whilst there were many wonderful highlights of this year's Abbey Medieval Festival 2025, I'll leave you with the best part of my Bathing & Hygiene Show and Tell... a comparison of reproduction items with the originals.

By looking at the craftsmanship and quality of the originals and comparing them with what we can achieve today, we can learn a lot abour medieval artisans and their abilities.

For instance, in the case of the hinged mirror case, the original is finer and the decorative rockerwork is smaller. The medieval craftsman would have had more years making this item, and more practice at getting the decoration more refined.

The tweezers astonish most modern people because the curled over tips are something we see in today's tweezers, and look very modern. The little lock which still moves on the original demonstrates what it was used for, rather than, say, as a repair to keep the tweezers from breaking. The fact that the original tweezers still open and close shows that the wire wasn't some kind of fix.

The nail cleaner and ear scoop proved more challenging to make for the modern maker, as getting the right teardrop shape on the spoon and the twist of the body proved to be tricky. In the end, the reproduction is a better quality than any other I've seen. Many others settle for a round scoop.

The silver copy of my 14th century French brooch is identical to the original, right down to the number of dots on the frame and thickness of the brooch itself. Previous versions I've seen made are really lovely, but have always been chunkier, which is what modern people expect of a lot of medieval jewellery. It's a high end piece and high quality
 

From left to right: reproductions made by
Gaukler Medieval Wares
 Canada: earscoop/nail cleaner.
Zeitenhandel
 Germany: hinged bi-valve mirror.
Keystone Forge
 Australia: fleur-de-lis brooch.
Gaukler Medieval Wares Canada: tweezers.




sister_raphael: (makingthings)


New tent means new tent topper! Mmm shiny!

I had a busy day painting, then sealing the tent topper for my new, square tent. The ball itself was sources from Bunnings and is a pine. We are fortunate in Australia that as there are a lot of old Queenslander-style houses being renovated, this kind of thing is easy to buy and has a few different options. All that is needed to make it suitable for use, is to trim the bottom and drill a hole wide enough to attach to the centre pole spike.

I used craft paint since I had lots lying around at home, and sometime in the future I may gild it properly with gold leaf, but for now, with little time to spare, I'm content with paint. The clear marine-grade timber varnish has a slight golden tinge to it, so it not only weatherproofed the ball
sister_raphael: (chocolate)
After a slow start to the day, I did manage to get a lot of computer work done today. I like to make a stash of social media posts preplanned to advertise our activities at the next event we have coming up mid July.



I've made a heap of separate ones for all of our activities and some same-but-different ones with my Medieval Woman banner instead of the Ex Libris Living History banner.



Our activites this year are:

Friday July 11
10am - 2pm Medieval Paper Doll Making (camp)
10am - 2pm Medieval Medicine Preparation (camp)

Saturday July 12
8.00am Medical Display opens (all day in camp)
9.30am Bath & Hygiene display opens (after Grand parade all day in camp)
10.30am Surgical Arrowhead Removal (camp)
1.30pm Bath & Beauty Show & Tell (camp)
2.30pm Medieval Q&A (Ask An Expert at the Pageant wagon)

Sunday July 13
8am onwards Medical Display opens (all day in camp)
9.30am onwards Bath & Hygiene display opens (after Grand Parade all day in camp)
10am Single Women: Who were they and what did they do? (University pavilion)
10.30am Surgical Arrowhead Removal (camp)
1.30pm Bath & Beauty Show & Tell (camp)
2.25pm Sickness In The Middle Ages: More Than The Black Death (University pavilion)
2.45pm Medieval Q&A (Ask An Expert at the University pavilion)



This is a pretty decent amount of activity considering it's essentially two of us doing all of it. Michelle does the medical things, and I do the lady things. We both have someone to mind our displays while we are off doing talks in other places, and we both have an in camp formal demonstration which we host in our displays. I'm very fortunate that my helper has learned a lot about my display and is able to speak well and answer questions in my absence. 



This year, my sister and her two teens are joining us, so there will be a few extra hands. The down side of this is that because it's the first year after an extended break (and a lot has changed in the world of re-enactment in Australia and festivals) I am supplying everything the three of them need: clothes, eating utensils and a place to stay and camp. If it turns out that things have changed so much and she doesn't want to do it next year, my sister won't have spent a lot of money kitting herself and two teens out. If she has a great time and is keen to come again, she will want to sew her own clothes. She is a skilled seamstress and has been involved in costuming for a dance school for years.

It also means I have a lot of extra infrastructure to bring this year as well and managing the logistics of where beds will go along with other needed supplies. It's challenging. I could just cut my display back a notch for this year, but I really want to have a great display so my sister and the kids can see what it is I've been doing and how much work it is, but how nice the results are. I also need quiet spaces for the neuro spicy.

There are compromises for this year, but all in all, I think I'm heading in the right direction. There's no way it will all go up in one trip though, so it will be multiple trips to the site for setting up, and it's an hour from home in good traffic. More like two in peak hour, which is when I'll be travelling.

Anyway, wish me luck. I'm a ball of stress and my brain won't turn off at night like I really need it to. I'll be posting about my activities and more information about them specifically (with the lovely blue Medieval Woman banners too) over the next few weeks.

November 2025

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