sister_raphael: (booksale)
I'm very excited to be prepping for a Mother's Day market this year! I don't do many markets, but this one raises funds for a cat rescue here in Brisbane, Best Friends Felines, and since I have a rescue kitty myself, I'm all for helping them out. They assured me they will have a lot of pet related stalls and wanted some other stalls to balance it out but also be something a little different, so that's me! I've been accepted already and I've made a little ad using their own promo colours and style, and I think it's come together well.



I'll have all three books and a range of other stuff which I can't take all of to other events: medieval stickers, little cosmetic bags, leather pouches in fun colours paternosters and prayer beads (in wood, stone, and semi-precious stones), some tote bags, perhaps some medieval "No Touchy Touchy!" coffee mugs as well. 

I have a medieval weekend on the same time, but will do the markets and if it's not raining, will go for the rest of the long weekend on site. It almost always rains that weekend, and last year a lot of people had a lot of modern stuff out and blasted modern music for hours whilst sitting in their modern camp chairs under their pop up gazebos, which really did spoil it. None of the organisers said anything, so I'm expecting more of the same this year, sadly. 

The Mother's Day Markets sound like fun! 

sister_raphael: (hmmm)
This is a sweet candle stock... that is, a smaller candle sits in the top to burn, and the rest of it is decorative. If I wanted to recreate this, what paint would be best? This is the quandary I found myself in this week. 



Whilst some are made of wood, this one is made of wax and gold leaf. Dated at the early 14th century from England. Height is 550mm.

This is what the British Museum has to say about it:

Candle-stock; tubular, tapering at the top; wax, painted and gilded. Decorated with a pattern of six and a half spirals. The decoration comprises firstly, a green line bordered with gilding, on each side of the gilding flower petals in red, on each side of the petals a gilt naturalistic vine scroll, itself bordered by gilding; damage and wear of the decorative pattern at the top.

Here's some information about candlestocks from
 Alexander & Binski 1987 from The Age of Chivalry. Art in Plantagenet England, 1200-1400 (no128) 

A candlestock stood on a pricket candlestick and supported, with the aid of a metal fitting on the top, a smaller wax candle which could be replaced when necessary. The intention, since the candlestock was tapered, was to give the impression that very large candles were being burnt. This candlestock and another [belonging to the Master and Fellows of Jesus College, Cambridge, on loan to the Fitzwilliam Museum] are without parallel and present a remarkable survival of a decorative altar fitting in wax. The naturalistic vine scroll suggests a date at the very end of the thirteenth century or the beginning of the fourteenth century. A representation of a similar candlestock appears in an early fourteenth century manuscript. The candles used by Queen Eleanor of Castile were coloured with various substances including vermilion and green. In her wardrobe account for December 1289 there is a reference to a purchase of 10 lb of verdigris at 7 d per lb, which was passed to Alexander the chandler.
Bibliographic references.

Anyway, the question remains as to what kind of paint I should use which won't just wipe off. We had a lively discussion on fb which wasn't quite as helpful as I'd hoped, with most suggestions centering on traditional recipes for paint, which I already have. There aren't specifically used for painting on wax, though.

One helpful person did say that there is a specific modern paint for painting candles, so that is now my line on enquiry. Of course, I could just make one from wood and paint it up to match and coat it with wax so it has the appearance of being wax.


sister_raphael: (ineedanap)
 

A while ago I cut into all my scrap leather into circles to make little drawstring pouches, and last night I made a few. This is my favourite one so far!

I really like the blue and blue combo.

I've got other things to work on as well, so it might be a little bit work-on-it-watching-movies sort of thing. Braiding the strings takes a while and for some I'll be using leather thonging. Others I'll try to colour co-ordinate like this one, or accentuate with contrasting ones.
sister_raphael: (comeheresaythat)
You'll be getting sick on hearing about them, but to add to the range of for sale paternosters, I'm making some with just plain wooden beads in two colours. These will be the cheapest, just with wool tassels, some home spun and undyed and others commercially dyed in a red.

This will give me a few price ranges so a small momento can be had for a low price, but it can be nice too!



sister_raphael: (comeheresaythat)


So here's the cutest of them all, the skulls paternoster! Technically, the original has little knots in between, from memory, but as this will again not be for re-enactors, I feel it'll be a good seller. I'm not making too may of these, as the beads are a bit more expensive, and I don't want to have too many sitting around and be out of pocket.

You've gotta admit... the goth crowd are gonna love these!

sister_raphael: (whatever)
That's what barbie said in the movie and it was a floor-stopper! I've decided to make a couple of When Religion And Whimsy Collide... making some non historically accurate bead sets for the modern medieval woman.



This set is made of pink rhodochrystite (sp) stone with natural howlite stone gauds and a white silk tassel, hand made by me!

Barbie Thoughts Of Death would approve! 
sister_raphael: (makingthings)
A new linear paternoster for me, made with garnet beads, white stone gauds and hand spun wool tassels. My first project of 2026. 



Most of the new paternosters I'm making are looped ones with 50 beads, but in medieval art, we see unjoined ones, usually called "linear" and I didn't have one of those myself, so I thought it was time to make one for me. 
 
sister_raphael: (makingthings)


I've had requests for momento mori paternosters in other colours, so this year I will offer green rock crystal and several shades of pink rhodochrosite also for those who want something to match their mood. As previously mentioned in an earlier post, I'm attending some ren- faire type events this year, and are able to have some medieval themed goods for sale. 

Lots of ladies love pink and green... and purple too, I suppose... so the non-reenactor public can choose these if they like. I think I've seen green in medieval art, but pink and purple, not at all. However, as these are momento mori, the ones with the little skull gauds, I think they'll be a real hit! 

Of course, plain stone, beech, sandlewood and pearwood are also available for those wanting a more historically accurate set. Tassels in wool or silk depending on the wood or stone and all handmade by me. 



sister_raphael: (booksaremything)


Xmas project handed over to the owner.

An entire picture book written and illustrated by me for (and about) my Granddaughter. In it are all her own clothes, family and stuff from her house. It's currently a little ebook but will print a hardcopy for her soon.

This was received with much excitement andf she read it out loud to everyone present!
sister_raphael: (makingthings)


It's finished!!!

I cannot thank Ezio Zanini enough for the care and time he has put into making this reproduction 15th century double sided comb for me! It has coloured silk set under the bone set in decorative panels and is a true scale copy of a museum piece.

Not only will it be used for re-enactment, but also for educational talks and displays at museums and libraries. It will be treasured and used and I am so very honoured he accepted the commission.
sister_raphael: (highfive)
15th century reproduction comb update! With the last pieces of tiny carving finished and the comb oiled and drying, the silk inserts are the next step before the inlays are put back in over them!!!

Here's the front view!!



And here's the back view:



And I mean Ezio Zanini will. It's so close to being finished!

Please notice the tiny circles and dots along some of the sections! Just amazing!


sister_raphael: (makingthings)
Procrastinating by making cute things!



Since some events are allowing us to sell hand made goodies at our displays, I've decided to make a couple of cute little momento mori paternosters to sell. Only a handful of each, but very happy with how they are finishing up. 
Sandalwood, stone and red silk : beechwood, stone and wool : wood, stone and wool. These will be for sale at selected events, as some are strictly reenactment and others are a fun ren faire vibe with educational display and a few little things on the side!

Handmade tassels in both silk and wool, depending on the type, so suitable for upper, mid and slightly lower classes.

I'm also making a beautiful garnet one for myself.

sister_raphael: thatsfantastic (thatsfantastic)
The progress photos on the medieval comb being made for me by Ezio Zanini continue, and every single day, I am stunned at the workmanship.


sister_raphael: (homesweethome)
My Ezio Zanini comb is taking shape!



Here you can see how the inlaid bone pieces will look, and also get a feel for how tiny the carved inlays are!!!!! I cannot stress enough how beautiful his work is!
sister_raphael: (deardiary)
The work continues by Ezio Zanini on bone inlays for my medieval comb. They are so beautiful!



The bone inlays are made
 of bovine bones taken from the legs and I can't stress how small these are in real life.

Here are several on his hand.


sister_raphael: (highfive)
Comb progress! Here Ezio Zanini has marked out the bone inlays ready for carving out!



The details are very small, and here you can see that Ezio has made teeny little templates of each and every inlay ready to hand cut from the bone pieces.
sister_raphael: welldone (welldone)
I can't express how I've always admired people who have a hand steady enough to do this kind of thing, but I'm grateful to have found Ezio Zanini who is taking this project on for me. This is the very first part of making the teeth. Ezio says he makes the teeth first before adding the carved decoration because if a tooth should break, then his carving isn't wasted, and that is definitley the sensible way to go.




sister_raphael: (underconstruction)
I have commissioned a piece of work from an Italian craftsman, Ezio Zanini. I have long wished for a 15th century carved comb, but not a regular one, a highly detailed one with inlays! Ezio can not only make such things, but because each job is hard, time intensive and so very special, he does not make more than one comb of each type. This is a little disappointing for me as the exact one I wanted had already been made for someone, so i could not have one of those, but after searching museums and carefully considering options, we found a design with measurements and clear images of both front and back with measurements, and we settled on a price. 

The waiting list was 8 months long at that point, and some of his other works took a little longer than expected so it was almost 10 months before he contacted me ready to start and checked in to see if I still wanted it. 



I cannot tell you how incredibly excited I am that it is started! Please look forward to more "making of" photos... He started with cherry wood and bone!!


The next step of Ezio Zanini 's incredible project shows how the cherry wood is cut to size and shaped at the sides while the bone pieces are flattened and cut into the many, many pieces he needs for the project!



I'm absolutely loving that he is sharing progress pictures as he goes, so stay turned for a whole lot more of them!

sister_raphael: (makingthings)
Making more little things to sell!



Having fun making some coloured leather pouches to sell. These mini ones are my tests and suitable for dice or about 5 coins! The larger ones will be a variety of colours and will have braided strings.

Here are the colours:



sister_raphael: doingart (doingart)
I've been working on these jolly nuns for quite some time and I've been struggling to get a background I like that works and doesn't overpower the nuns, and here's where it's at. Kinda like it like this, to be honest.



I tried it with the cream or light background to match the manuscript page but it really didn't work that well, so I opted for colour, then cross hatching, then decorated and now back to just plain in a more muted shade of blue.

I like this best so far.

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