sister_raphael: doingart (doingart)
I've been working on these jolly nuns for quite some time and I've been struggling to get a background I like that works and doesn't overpower the nuns, and here's where it's at. Kinda like it like this, to be honest.



I tried it with the cream or light background to match the manuscript page but it really didn't work that well, so I opted for colour, then cross hatching, then decorated and now back to just plain in a more muted shade of blue.

I like this best so far.

sister_raphael: (celebrate)


I am loving the Portland Frog and friends so much and well, I made a meme medieval-style to celebrate. If you aren't up to date with the story, the short version is that when armed American troops were sent into Portland, USA (yes, against their own fellow Americans!) to quell the supposedly war-torn area (which isn't at all war-y and not the least bit torn) they were greeted by a man in an inflatable frog costume dancing at their troop lines. They pepper sprayed into his breathing vent.

It highlights the absurdity of the entire situation. I love it.

The media has had a field day with it, much great artwork produced of the frog facing the troops, great froggy slogans abound and, much to my delight, more inflatable frogs, unicorns and others have joined in, dancing and peacefully protesting the unwanted and unneeded presence of the armed troops.

I hear frog costumes are sold out everywhere and that we can expect to see them at the No Kings marches on the 18th, and I'm hoping it's true. 

sister_raphael: (underconstruction)


It begins! 

I think possibly the hardest part of this project is going to be getting the old glass out of the wooden frame. It seems very securely glued, although I'm hoping that a hot hair drier will melt the glue enough to carefully lift the mirror out. It won't be an issue if the mirror breaks, as I'm not re-using it, although I'm hoping it doesn't because you never know when you want one for a craft project.

I've got a few other little odd jobs I need to do, so I may not start this straight away, but I'd like to take it the the Southern Realms Medieval Festival at the start of November. I should easily have it done by then, depending on the brass polishing also. 

sister_raphael: (casualfriday)
We see these rarely- a daggued hood worn by a lady! The first one shows a women of a certain standard of wealth with her wimple, fashionable plaits, tippets and decorated hood. There are a couple of other images from the same manuscript of women wearing this kind of hood, but since I was talking to a friend about it yesterday, here it is! Bohun Psalter, England. 14th century, held at the British Museum.



There's another from Romance of Alexander, I think, but they aren't the common thing for women to wear. I don't know why, when we see hundreds and hundreds of women in hoods in manuscripts and paintings alongside daggued ones being worn by men. It's very rare.


Honestly, I don't know. Perhaps women felt they were a bit gaudy? (unlikely, based on other fashions like tippets and hanging sleeves and horned headdresses) Perhaps it was a male fashion? Perhaps it was seen as unnecessary vanity, although it's not condemned in sermons like other complaints about women's clothing. For the life of me, I can't think of a reason why women would not have wholeheartedly embraced them, but they are uncommon, even in the same manuscripts which show men wearing them. It's a mystery to me.
sister_raphael: (supercute)


This week I found this sweet 15th century manuscript image of what is almost exactly my roses curtains (which I based on two 14th century images) Isn't it just great? The manuscript is a German book of chess dated at between 1450 and 1500. Leipzig, UB, Ms 1595 for those who'd like to see more! Some historians try very hard to read a lot into the roses, citing that white or red denotes loyalty to a particular political side, but I'm going to go out on a limb here and say not ALL roses represented the houses of York or Lancaster. Sometimes they were legitimately just a decorative feature.

It's very interesting that her cloak joiner seems to attach under the cloak, rather than with two external brooches like we usually see in both manuscripts and statues, although this could be an artistic representation rather that how it was worn in real time, which is one of the things about medieval art and clothing research which is tricky! When sources conflict, it may be an actual thing or just an artist who didn't know better..

Also a great looking settle she's sitting on. With a striped cushion (not a lambswool). And cute stripey rug, although it's quite possible that the rug is actually a large, striped cushion, which would be consistent with other artworks of women sitting in chairs. Again, the lack of tassels might indicate a rug, or just a cushion without tassels. An enormous amount of cushions in medieval art have tassels or Turk's head knots at the terminating corners.

Anyway, it's pretty nice for me to see my curtains represented in more art of the middle ages.


sister_raphael: (casualfriday)


That eyeliner and braces combo, though...

This very sexy and somewhat slightly perplexing artwork comes to you from 1375-1400, The Bellenville armorial, and is a lion. With something going on around his eyes and what looks like braces on it's teeth. And that goofy look that kids get when they are living their best life whilst wearing a tiara.

#teenagegirlthings #maybeitsmaybelline
sister_raphael: doingart (doingart)

Work in progress... finials to add, and stand to make, but I'm very happy with the progress so far! I can make the stand myself. Ive got enough stuff lying around. My friend, Mim from the re-enactment group, Oltramar,  suggested for the toppers 3 wooden beds wired together (sand the bits that touch a bit for a better fit) and then gilded, which is probably what I'll try.

Manuscript image from 1350-1375 Bruges, Public Library, MS. SVC 010A.


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